Marshall Guitar Amplifiers

Universal Audio Apollo 8P Quad with Satellite Thunderbolt Octo

Enhance your workflow and enrich your recordings with this powerful package that includes the Apollo 8P Quad Thunderbolt Interface and UAD 2 Satellite Thunderbolt OCTO Core DSP Interface. Universal Audio Apollo 8P Quad Thunderbolt Audio Interface Apollo 8p is a dramatic update to one of the world’s most popular professional audio interfaces, delivering enhanced sound with the tone, feel, and flow of analog recording. This 16 x 20 Thunderbolt interface features eight onboard Unison mic preamps, perfect for mobile rigs and tracking full bands, as well as powerful onboard UAD-2 QUAD processing. Built on genuine UA analog design and next-generation A/D and D/A conversion. Universal Audio Apollo Quad 8P Thunderbolt Audio Interface Features Next-generation Apollo A/D and D/A conversion for professional music production 8 Unison-enabled mic preamps for tracking full bands through preamp emulations from Neve, API, and Universal Audio Onboard UAD-2 QUAD Core DSP allows Real-time UAD Processing — record through plug-ins from Neve, Lexicon, Studer, Marshall, Ampex, and more   16 x 20 Thunderbolt 2 audio interface for Mac with powerful Console 2.0 software control Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt (Mac) Convenient front panel monitoring functions including Alt Speakers, Dim, and Mono Includes “Real-time Analog Classics Plus” UAD plug-in bundle with 610-B Tube Preamp & EQ, Raw Distortion, Softube Amp Rooms, legacy LA-2A, 1176, and Fairchild compressors, Pultec EQs, and more World class UA analog design, superior components, and premium build quality Apollo 8p puts class-leading sonic performance in a sleek new package. Apollo 8p further distinguishes itself with Real-time UAD Processing and Unison technology, letting you record at near-zero latency through the full range of UAD plug-ins from Neve, Studer, Manley, Lexicon, and more — including new mic preamp emulations from Neve, API and Universal Audio. Apollo Expanded software now allows cascading up to four Apollos and six total UAD-2 devices in a single system over Thunderbolt (Mac), so you can scale up your studio as your needs grow. Next-Generation Apollo A/D and D/A Conversion Apollo 8p improves upon the original Apollo’s gold-standard audio quality with completely redesigned, class-leading A/D and D/A conversion — giving you increased dynamic range and even lower THD. This results in breathtaking clarity, depth, and accuracy in your recordings, from tracking and overdubbing, to mixing and mastering. Eight Mic Preamps with Unison Technology Apollo 8p comes equipped with eight Unison-enabled mic preamps, letting you track larger projects with a range of colorful mic preamp sounds. A Universal Audio breakthrough, Unison technology nails the tone of the world's most sought-after tube and solid state mic preamps — including their impedance, gain stage “sweet spots,” and component-level circuit behav

USD$4498.00

Universal Audio Apollo 8 Quad with Satellite Thunderbolt Octo

Apollo 8 is an elegant update to one of the world’s most popular professional audio interfaces — delivering enhanced sound with the tone, feel, and flow of analog recording. This 18 x 24 Thunderbolt interface features powerful UAD-2 QUAD processing, genuine UA analog design, and next-generation A/D and D/A conversion, putting class-leading audio quality in a sleek new package. Universal Audio Apollo 8 QUAD Thunderbolt Audio Interface Features Next-generation Apollo A/D and D/A conversion for professional music production Onboard UAD-2 QUAD Core DSP allows Real-time UAD Processing — record through plug-ins from Neve, Lexicon, Studer, Marshall, Ampex, and more 4 Unison-enabled mic preamps for tracking through preamp emulations from Neve, API, and Universal Audio 18 x 24 Thunderbolt 2 audio interface for Mac with powerful Console 2.0 software control Cascade up to 4 Apollo interfaces and 6 UAD devices total over Thunderbolt (Mac) Convenient front panel monitoring functions including Alt Speakers, and assignable Dim or Mono Includes “Real-time Analog Classics Plus” UAD plug-in bundle with 610-B Tube Preamp & EQ, Raw Distortion, Softube Amp Rooms, legacy LA-2A, 1176, and Fairchild compressors, Pultec EQs, and more World class UA analog design, superior components, and premium build quality Apollo 8 further distinguishes itself with Real-time UAD Processing and Unison technology, letting you record at near-zero latency through the full range of UAD plug-ins from Neve, Studer, Manley, Lexicon, and more — including new mic preamp emulations from Neve, API and Universal Audio. Apollo Expanded software now allows cascading up to four Apollos in a single system over Thunderbolt (Mac), so you can scale up your studio as your needs grow. Next-Generation Apollo A/D and D/A Conversion Apollo 8 improves upon the original Apollo’s gold-standard audio quality with completely redesigned, class-leading A/D and D/A conversion — giving you increased dynamic range and even lower THD. This results in breathtaking clarity, depth, and accuracy in your recordings, from tracking and overdubbing, to mixing and mastering. Real-time UAD Plug-In Processing for Tracking, Mixing, and Mastering While Apollo 8’s “natural” sound is very open and transparent, it can quickly deliver a stunning range of classic analog tones and color via its Real-time UAD Processing. Available with generous UAD-2 QUAD processing onboard, Apollo’s DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency — letting you monitor and “print” audio using classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.  The Apollo 8’s bundled “Real-time Analog Classics Plus” suite of UAD plug-ins gives you the UA 610-B Tube Preamp & EQ, Raw Distortion, Softube Amp Rooms, legacy LA-2A, 1176, and Fairchild compressors,

USD$3998.00

Marshall JVM 100 Watt Half Stack Guitar Amplifier

The Marshall JVM410H is the foundation of Rock The JVM Series 100 Watt, Valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and plexi Super Lead amplifiers-a timeless foundation for countless classic rock and metal guitar tones for over four decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM. The Marshall Stack If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then Marshall has made many thousands, which have appeared on stages both large and small all over the world. After the initial success of the Marshall 4x12, it wasn't too long before Marshall designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only six were ever made. As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack on the other hand has stayed in production ever since and has gone on to become the most recognisable rock 'n' roll icon. As they literally invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation. Marshall Speaker Cabinets The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed the business! Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Marshall's highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings. Stereo and Speaker Options To ensure the ultimate in flexibility, four of the standard 4x12's are switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side]. These are the 1960A/B and 1960AV/BV. All of the stereo/mono 4x12's are perfect for use with stereo rack systems. Heavy duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking. No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits

USD$3249.99

Marshall JVM410C 100 Watt 2x12 Tube Guitar Combo Amplifier

Marshall JVM410C is the foundation of Rock The JVM Series 100 Watt, Valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and plexi Super Lead amplifiers-a timeless foundation for countless classic rock and metal guitar tones for over four decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM. 12 All-Valve Amps in One! Each of the JVM's four channels has three modes - green, orange and red - providing 12 totally unique, yet complimentary amplifier topologies, making it 12 amps in one. As a result, the series offers an amazing array of instantly switchable tones - from the cleanest clean to the highest gain ever found in a Marshall and all points in-between! Overflowing with harmonically rich tone and responsive fluidity, each and every one of its 12 modes exude that unmistakable Marshall sound while expanding upon it.

USD$2899.99

Marshall AST1H Astoria Single Channel Guitar Amplifier Head 30 Watts

Purists who want clean, authentic all-valve tone choose the Astoria Classic head. Boutique pedal enthusiasts will find it the perfect pure-valve foundation for their sound. The Power Reduction pull switch drops the amplifier’s output power from 30 Watts to 5 Watts, which produces softer tones and a less in your face sound. Marshall AST1H Astoria Guitar Amplifier Head Features Master Volume Power Reduction Edge Control Bass, Middle, Treble Controls Sensitivity Control Lo and Hi Sensitivity Inputs Contemporary Hand Wired Design 30 Watt Output 3 x ECC83 & 2 x KT66 Valves Two Tone Covering Color Coded Marshall Logo Brushed Aluminum Panel Made in the UK Dustcover Included The Sensitivity control optimizes the sensitivity of the preamp by controlling its negative feedback. It increases or decreases gain without changing the output impedance of the first stage. This means that tonal integrity is preserved regardless of where the Sensitivity control level is set. Edge makes the overall characteristic sound of the amplifier brighter or darker. To achieve this, it cuts high frequencies between the phase splitter and the power valves. Edge is a power stage function with a similar effect to a traditional ‘presence’ control. Note that he higher the Master volume level, the more pronounced the Edge function will become.

USD$2699.99

Marshall JCM800 2203 Reissue 100 Watt Tube Guitar Amplifier Head

Now the tone, feel and vibe of the heralded Marshall JCM800 heads is available again - and they're better than ever! The all-tube Marshall JCM800 2203 Reissue Tube Guitar Amplifier Head is one of the most highly respected 100 Watt Marshall heads in the company's long history. Evolving from the legendary 100 Watt 'Plexi' head, it was also their first Master Volume amplifier. The very essence of simplicity, the JCM800 2203 is a one channel amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life edge immediately set the standard by which all other rock amps were judged and it remained the industry benchmark throughout the entire 16 years of its production life. Now it's back by popular demand and Marshall has even added a Series Effects Loop that features a true Bypass switch that takes the loop completely out of the circuit (a mod that was often added by players), thus ensuring the original tone isn't compromised in any shape or form. The Marshall JCM800 2203 reissue head is a faithful reproductions of the original, which shaped the sound of the electric guitar as we know it. The main characteristic that these amps share is their simplicity of operation and superb natural valve tone. Achieving the beautifully organic and vibrant overdrive which is their trademark, can only be done in one way - crank 'em up! The result is pure, majestic tone uncluttered by unnecessary circuitry. With solos this produces a big, round, warm, sustain, full of classic character. With chord work you get a bark and percussive attack with a natural sounding break up, which allows each note to ring out in a glorious musical crunch.

USD$2599.99

Marshall JVM410HJS Joe Satriani 100 Watt Guitar Amplifier Head

Marshall is pleased to announce the Marshall JVM410HJS Joe Satriani Signature Guitar Amplifier Head . This collaboration between Marshall and one of the world’s most respected guitarists takes the well known front panel features of the JVM410H and overhauls the tone to a completely new level! The British made, all valve, JVM410HJS is a true labor of love that took several years of intense R&D with Joe who rigorously tested out prototypes on tour and in the studio. Marshall JVM410H Joe Satriani Edition Amplifier Head Features Four noise gates help you dial in a defined tone on every channel Clean channel is the same design found in the Marshall LM6100 Orange crunch channel is the same design found in the Marshall JCM800 (2203) Red crunch channel is similar to the Marshall AFD100 in AFD mode Overdrive channels sound more dynamic and open, thanks to a re-designed power supply 'Mid Shift' control on OD1 and OD2 shifts the midrange focus for extra tonal versatility MIDI input for configurable switching and control Footswitch included At first glance, the Marshall JVM410JS head may look familiar. Taking a more detailed look though, will make you realize just how different this amp is from its stock counterpart. So, how is the JVM410JS different from the JVM410H? Firstly, and probably most notable is the fact that the four Reverb pots from the original JVM410 have now been replaced with Noise Gates; four Noise Gates no less, one for each channel and each with their own threshold. Another visible change to the front panel is the addition of a ‘Mid Shift’ button that can be used for both OD1 and OD2 channels, shifting the mid character of the sound to that of Joe’s specification. Tone wise, the JVM410JS Joe Satriani Signature head is very different; The Clean channel is based on the aforementioned 6100 when on the green mode, with the orange and red modes being hotter variations of that tone too. The Crunch channel takes the original JVM410 crunch and adds some of the popular Marshall ‘AFD’ circuit to it, and the OD channels are now both voiced identically, based on the JVM410 OD1 but with the gain scaled back slightly and a smoother transition between modes. The rest of the Marshall JVM410JS plays out in familiar territory; the amp is still powered by EL34 valves, there are two Master volumes, the supplied footswitch enables you to switch between Channels, Modes, 2 Master Volumes, FX loop and now also the Noise Gates and Mid Shift. There’s also full MIDI implementation on the unit. ‘ I had some real, practical experience with the JVM and I had some things I wanted to change about it , ‘ Joe states. ‘ Specifically, to make an already great amp even bigger, bolder, more punchy and more dynamic. To me the JVM410H’s four channels were amazing but what was even more mind-blowing was that it had three switchable modes per channel. So it wasn’t merely a 4 channel amp, it was 4 by 3. It

USD$2599.99

Marshall JVM410H 100 Watt Guitar Amplifier Head

The Marshall JVM410H is the foundation of Rock The JVM Series 100 Watt, Valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and plexi Super Lead amplifiers-a timeless foundation for countless classic rock and metal guitar tones for over four decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM.

USD$2499.99

Marshall JVM 100 Watt Half Stack Guitar Amplifier

The Marshall JVM Half Stack combines the JVM210H head along with a JCM1960A cabinet to give you the iconic look, feel and sound that you have been looking for. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM210H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM210H Features All-valve design with hand selected valves for premium performance 5xECC83 and 4xEL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fu

USD$2469.99

Marshall JVM205H Head and JCM1960A Cab 50 Watt Guitar Amp Half Stack

The Marshall JVM Half Stack combines the JVM205H head along with a JCM1960A cabinet to give you the iconic look, feel and sound that you have been looking for. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM205H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM205H Features All-valve design with hand selected valves for premium performance 5xECC83 and 2xEL34 Two totally independent, footswitchable channels - Clean/Crunch and OD Six footswitchable modes - three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a

USD$2349.99

Marshall JVM410C 100 Watt 2x12 Tube Guitar Combo Amplifier

Marshall JVM410C is the foundation of Rock The JVM Series 100 Watt, Valve-driven power stage is built on the classic design responsible for the legendary Marshall roar found in the JCM800, 2203 and plexi Super Lead amplifiers-a timeless foundation for countless classic rock and metal guitar tones for over four decades. Featuring a quartet of EL34 valves, this peerless design has been expertly crafted to compliment the extraorinary wealth of tones found in the JVM. 12 All-Valve Amps in One! Each of the JVM's four channels has three modes - green, orange and red - providing 12 totally unique, yet complimentary amplifier topologies, making it 12 amps in one. As a result, the series offers an amazing array of instantly switchable tones - from the cleanest clean to the highest gain ever found in a Marshall and all points in-between! Overflowing with harmonically rich tone and responsive fluidity, each and every one of its 12 modes exude that unmistakable Marshall sound while expanding upon it.

USD$2299.00

Marshall 1962 Bluesbreaker 30 Watt 2x12 Guitar Combo Amplifier

The Marshall 1962 Bluesbreaker 2x12 Guitar Combo Amplifier is an incredible reissue of one of the most influential and sought after vintage amps ever produced! Based on the hugely successful JTM45, the Bluesbreaker is loaded with two 5881 power tubes, three ECC83 preamp tubes and of course a GZ34 rectifier tube which helps it achieve that juicy output stage compression and sustain. Marshall loads the 1962 Bluesbreaker with two 12-inch Greenback speakers to nail that classic 60’s tone. The 1962 Bluesbreaker also comes with the addition of a footswitchable Tremolo effect.

USD$2299.00

Marshall JCM800 2203 Reissue 100 Watt Tube Guitar Amplifier Head

Now the tone, feel and vibe of the heralded Marshall JCM800 heads is available again - and they're better than ever! The all-tube Marshall JCM800 2203 Reissue Tube Guitar Amplifier Head is one of the most highly respected 100 Watt Marshall heads in the company's long history. Evolving from the legendary 100 Watt 'Plexi' head, it was also their first Master Volume amplifier. The very essence of simplicity, the JCM800 2203 is a one channel amp with no reverb or built-in effects. Its foolproof interface, distinctive roar and larger-than-life edge immediately set the standard by which all other rock amps were judged and it remained the industry benchmark throughout the entire 16 years of its production life. Now it's back by popular demand and Marshall has even added a Series Effects Loop that features a true Bypass switch that takes the loop completely out of the circuit (a mod that was often added by players), thus ensuring the original tone isn't compromised in any shape or form. The Marshall JCM800 2203 reissue head is a faithful reproductions of the original, which shaped the sound of the electric guitar as we know it. The main characteristic that these amps share is their simplicity of operation and superb natural valve tone. Achieving the beautifully organic and vibrant overdrive which is their trademark, can only be done in one way - crank 'em up! The result is pure, majestic tone uncluttered by unnecessary circuitry. With solos this produces a big, round, warm, sustain, full of classic character. With chord work you get a bark and percussive attack with a natural sounding break up, which allows each note to ring out in a glorious musical crunch.

USD$2219.00

Marshall 1959HW Hand Wired 100 Watt Tube Guitar Amplifier Head

The Marshall 1959HW Hand Wired 100 Watt "Plexi" head is considered by many to be the definitive rock amp and is the main reason artists started dubbing Marshall as "the sound of rock" back in the late '60s. As with every amp in Marshall’s Handwired series, all of the original components and materials were used or reproduced in the 1959HW. This handwired reissue, all-tube head (3xECC83s in the preamp, 4xEL34s in power amp) features two channels, I and II (labeled "High Treble" and "Normal" respectively in later renditions of the original 1959 model due to the differences in their voicing), each with two inputs — high sensitivity and low sensitivity. The timeless tone of vintage handwired, all-tube Marshall amplifiers have made them highly desirable to collectors and sonic connoisseurs alike. Due to overwhelming public demand, Marshall is proud to introduce meticulous, handwired re-issues of three of their most sought-after amplifiers as the first products in our brand new Handwired Series – a Series that celebrates the company’s rich tonal heritage and revisits the handcrafted traditions and skills that first launched the Marshall legend. To the minds and ears of many, the mythical "Plexi" heads of the late '60s are considered the "holy grail" of great rock tone. Marshall's handwired 1959HW transports us back in time to that celebrated era and the result is a breathtaking re-issue that's authentic in every detail - from those world-famous front panel legends to the oversized, custom-built, "drop through" mains transformer that lies at the very heart of the beast. Good looks and impressive specs aside, the 1959HW's real beauty lurks in its unique and highly responsive tone. Both channels share tone shaping controls for Bass, Middle, Treble and Presence. Based upon a pre-July 1969 SL/A head, the 1959HW yields all of the sonic characteristics that made the original a rock and roll legend. Complete your vintage stack with style! The 1960AHW and 1960BHW Cabinets match the 1959HW heads perfectly. Both are 120 Watt, 16 Ohm mono 4x12" cabinets featuring salt-n-pepper grille cloth, metal handles, and loaded with the bass version of Celestion's reissue of the G12H30 speaker. The A has an angled face and the B has a straight front.

USD$2199.00

Marshall JVM410HJS Joe Satriani 100 Watt Guitar Amplifier Head

Marshall is pleased to announce the Marshall JVM410HJS Joe Satriani Signature Guitar Amplifier Head . This collaboration between Marshall and one of the world’s most respected guitarists takes the well known front panel features of the JVM410H and overhauls the tone to a completely new level! The British made, all valve, JVM410HJS is a true labor of love that took several years of intense R&D with Joe who rigorously tested out prototypes on tour and in the studio. Marshall JVM410H Joe Satriani Edition Amplifier Head Features Four noise gates help you dial in a defined tone on every channel Clean channel is the same design found in the Marshall LM6100 Orange crunch channel is the same design found in the Marshall JCM800 (2203) Red crunch channel is similar to the Marshall AFD100 in AFD mode Overdrive channels sound more dynamic and open, thanks to a re-designed power supply 'Mid Shift' control on OD1 and OD2 shifts the midrange focus for extra tonal versatility MIDI input for configurable switching and control Footswitch included At first glance, the Marshall JVM410JS head may look familiar. Taking a more detailed look though, will make you realize just how different this amp is from its stock counterpart. So, how is the JVM410JS different from the JVM410H? Firstly, and probably most notable is the fact that the four Reverb pots from the original JVM410 have now been replaced with Noise Gates; four Noise Gates no less, one for each channel and each with their own threshold. Another visible change to the front panel is the addition of a ‘Mid Shift’ button that can be used for both OD1 and OD2 channels, shifting the mid character of the sound to that of Joe’s specification. Tone wise, the JVM410JS Joe Satriani Signature head is very different; The Clean channel is based on the aforementioned 6100 when on the green mode, with the orange and red modes being hotter variations of that tone too. The Crunch channel takes the original JVM410 crunch and adds some of the popular Marshall ‘AFD’ circuit to it, and the OD channels are now both voiced identically, based on the JVM410 OD1 but with the gain scaled back slightly and a smoother transition between modes. The rest of the Marshall JVM410JS plays out in familiar territory; the amp is still powered by EL34 valves, there are two Master volumes, the supplied footswitch enables you to switch between Channels, Modes, 2 Master Volumes, FX loop and now also the Noise Gates and Mid Shift. There’s also full MIDI implementation on the unit. ‘ I had some real, practical experience with the JVM and I had some things I wanted to change about it , ‘ Joe states. ‘ Specifically, to make an already great amp even bigger, bolder, more punchy and more dynamic. To me the JVM410H’s four channels were amazing but what was even more mind-blowing was that it had three switchable modes per channel. So it wasn’t merely a 4 channel amp, it was 4 by 3. It

USD$2199.00

Marshall 2061X Hand Wired 20 Watt Guitar Amplifier Head

The Marshall 2061X Head: Original versions of this new 20 Watt, all-valve Lead and Bass 20 Head are now highly collectable. The 2061X has two channels — Lead and Bass — both of which boast the same, simple features: two inputs (High and Low Sensitivity) and controls for volume and tone. The 2061X is built with 2 x ECC83s in preamp, 2 x EL84s in power amp and was first made from 1967–1973. To enhance the user-friendliness of the 2061X, an impedance selector has been added to the rear panel (switch able between 4, 8, 16 Ohms) and both the Mains and H.T. fuses are now accessible via the rear panel. These new features have no tonal impact on the amplifier whatsoever. Marshall Handwired Amplifiers and Speaker Cabinets This ongoing series will feature some of the world’s most sought after, vintage, all-tube Marshalls. Other than the limited edition Offset JTM45 Halfstack available in 1999 (only 300 were produced worldwide), this represents the first time Marshall has offered a handwired product in recent years. Like the originals, these new amps share simplicity of operation and rich, natural valve tone. This new series was created to meet growing public demand, and to pay homage to models that, for many players, represent the ultimate in organic, all-valve guitar tone. Marshall’s primary objective was to achieve maximum authenticity in terms of components, circuitry, construction methods, materials, specifications, aesthetics, signal path, performance, tonal characteristics and feel. All of the original components and materials were used or reproduced, and the original methods of construction employed in the late 1960s were revisited. All transformers - output and power - have been meticulously re-created by Dagnall Electronics, and each amplifier’s handwired tag-board lives up to the slogan, ‘Point-to-Point Perfection’.”

USD$2099.99

Marshall JCM900 4100 Dual Reverb 100 Watt Guitar Amp Head

An incredible Reissue from Marshall, the 100 Watt Marshall JCM900 4100 Dual Reverb offers dual channels operation with a 4-band EQ, and all the powerful Marshall tone that made the original a favorite with players all over. Featuring four ECC83 pre and three 5881 power tubes, this JCM 900 features Reverb and Pre-Gain controls for each channel, and a True Bypass Effects loop for players who crave the most control over their tone. Marshall JCM900 4100 Guitar Amp Head Features 100-watt Hi Gain Reissue of the popular JCM900 4100 All-tube design with ECC83 and 5881 tubes Series FX loop with true bypass operation Two 1/4 inch TS speaker outputs Birch-ply construction 2-button footswitch included

USD$2099.99

Marshall Vintage Series 1987X 50 Watt Guitar Amplifier Head

The Marshall Plexi 1987XL shares the same front and rear panel features as its 100-Watt big brother, the 1959 SLP, yet retains its own distinct personality. Sweet warm singing EL34 sounds are packed into every nook and cranny of this great tone machine. As is the case with the 1959SLP, the 1987X has fittings and hardware as true to the originals as humanly possible, thus ensuring that authentic Marshall Vintage look. The Marshall re-issue models all are faithful reproductions of the originals, which shaped the sound of the electric guitar as we know it. The main characteristic that these amps share is their simplicity of operation and superb natural valve tone. Achieving the beautifully organic and vibrant overdrive which is their trademark, can only be done in one way - crank 'em up! The result is pure, majestic tone uncluttered by unnecessary circuitry. With solos this produces a big, round, warm, sustain, full of classic character. With chord work you get a bark and percussive attack with a natural sounding break up, which allows each note to ring out in a glorious musical crunch. FX Loop Due to high demand, a sonically transparent effects loop has been added to the 1987X model. This circuitry has been designed to not color the guitar sound, so that your tone remains pure. The bypass switch gives you the option of completely removing this circuitry if desired. The effects loop level selector ensures compatibility with rack processors or floor pedals (stomp boxes).

USD$2099.99

Universal Audio Apollo 8 Duo Audio Interface

Class-leading sonic performance and elegant design - it’s what you’ve come to expect from Universal Audio. As a sleek, new update to the world’s most celebrated professional recording interface for Mac and Windows, the Apollo 8 DUO not only pays homage to UA’s 60-year heritage of audio craftsmanship - it builds upon a legend.   Universal Audio Apollo 8 DUO Thunderbolt Audio Interface The 18 x 24 Apollo 8 DUO Thunderbolt is the ideal choice for project and commercial studios striving to achieve the tone, feel, and flow of analog recording. Thanks to its four Unison™-enabled mic preamps, UAD-2 DUO Core processing, and next-generation A/D and D/A conversion, you’ll enjoy the same class-leading sonic performance heard on breakthrough recordings by artists such as Brad Paisley (Wheelhouse), Dr. Dre (Compton), Coldplay (A Head Full of Dreams), Kendrick Lamar (To Pimp A Butterfly), and many more. And as if THAT weren’t enough… Universal Audio has sweetened the pot with Apollo 8 DUO by including a bundle of award-winning UAD plug-ins. You’ll love the preamp emulations from Neve®, API®, Manley® and more. When it’s time to track or mix, you can choose from Teletronix® LA-2A, 1176, and Fairchild® compressors, Pultec® EQs, and a 610-B Preamp. But there’s no need to worry about how these sophisticated plug-ins might clog up your software’s buffer or bog down your computer’s CPU, because UA has achieved near-zero latency utilizing their proprietary Unison™ technology. More About Unison™ We daresay there isn’t a musician, engineer or producer alive who hasn’t wanted to track through such sought-after mic preamps as those from Neve, Manley, API, and Universal Audio themselves. Apollo 8 DUO, with its four Unison-enabled mic preamps, allows you to realize that dream. Unison technology accurately emulates the tone of these “holy grail” tube and solid state mic preamps by precisely duplicating their unique performance characteristics. From input impedance and the gain stage “sweet spots,” right down to component-level circuit behaviors of the original classics — Unison totally nails it. Simply assign a Unison preamp plug-in to your mic input, and revel in the classic tones produced by some of the world’s most revered microphone preamps. Now with Vintage Amps and Stompboxes You’ll even find Unison technology hard at work on Apollo 8 DUO’s front panel instrument inputs. Plug in and rock out through dead-on accurate, impedance-matched emulations of a Fender '55 Tweed Deluxe, Marshall Plexi Super Lead 1959, or one of many other classic guitar amplifiers. Electric bassists will love the selection of historic bass amps such as the Ampeg B-15N. You can even patch in a vintage Ibanez Tube Screamer and other iconic effects pedals.   Build a Networked Studio System Over Thunderbolt Don’t

USD$1999.00

Universal Audio Apollo Quad Firewire Audio Interface

Delivering the sound, feel, and flow of analog recording to music creators everywhere, the Universal Audio Apollo Quad FireWire Audio Interface is a perfect centerpiece for studios running original Mac Pro towers and Windows 7 machines, this 18 x 24 FireWire 800-equipped interface features analog design based on UA’s 50-year heritage, along with gold-standard Apollo A/D and D/A conversion for impeccable audio resolution. Apollo FireWire further distinguishes itself with Realtime UAD-2 Processing and Unison™ technology, letting you record with near-zero latency through the full range of UAD plug-ins from Neve, Studer, Manley, Lexicon, and more — including new mic preamp emulations from Neve, API and Universal Audio.* With its elegant workflow and world-class audio quality, Apollo FireWire is the perfect interface for music producers seeking classic analog sound. Key Features Worldwide standard in professional A/D and D/A conversion for music production Onboard UAD-2 QUAD Core DSP allows Realtime UAD Processing — record through plug-ins from Neve, Lexicon, Studer, Marshall, Ampex, and more* 4 Unison-enabled mic preamps for tracking through preamp emulations from Neve, API, and Universal Audio* 18 x 24 FireWire audio interface for Mac and Windows 7 Cascade two Apollos for 16 analog I/O and 12 digital I/O Includes “Realtime Analog Classics Plus” UAD plug-in bundle with 610-B Tube Preamp & EQ, Raw Distortion, Softube Amp Rooms, legacy LA-2A, 1176, and Fairchild compressors, Pultec EQs, and more Upgradeable to Thunderbolt via Thunderbolt 2 Option Card (Mac) World class UA analog design, superior components, and premium build quality The Gold Standard in 24-bit/192 kHz Sound Quality Designed to play a central role in studios running original Mac Pro towers or Windows 7 machines, Apollo FireWire delivers an uncompromising approach to audio quality. Building upon decades of UA hardware heritage, it offers extremely high-resolution sound, with the lowest THD and highest dynamic range in its class. Apollo FireWire’s four premium mic preamps and converters translates into recordings with astounding accuracy and depth — whether you’re tracking and overdubbing, or mixing and mastering. Realtime UAD Plug-In Processing for Tracking, Mixing, and Mastering While Apollo FireWire’s “natural” sound is exceedingly open and transparent, it can quickly deliver a wide range of classic analog tones and color via its Realtime UAD Processing. Featuring powerful onboard QUAD processing, Apollo FireWire’s DSP Acceleration allows for recording through UAD Powered Plug-Ins — with as low as sub-2ms latency, regardless of buffer settings — letting you monitor and “print” audio with classic analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.* The Apollo FireWire’s bundled “Realtime Analog Classics Plus” suite of UAD plug-ins gi

USD$1999.00

Marshall 2061X Hand Wired 20 Watt Guitar Amplifier Head

The Marshall 2061X Head: Original versions of this new 20 Watt, all-valve Lead and Bass 20 Head are now highly collectable. The 2061X has two channels — Lead and Bass — both of which boast the same, simple features: two inputs (High and Low Sensitivity) and controls for volume and tone. The 2061X is built with 2 x ECC83s in preamp, 2 x EL84s in power amp and was first made from 1967–1973. To enhance the user-friendliness of the 2061X, an impedance selector has been added to the rear panel (switch able between 4, 8, 16 Ohms) and both the Mains and H.T. fuses are now accessible via the rear panel. These new features have no tonal impact on the amplifier whatsoever. Marshall Handwired Amplifiers and Speaker Cabinets This ongoing series will feature some of the world’s most sought after, vintage, all-tube Marshalls. Other than the limited edition Offset JTM45 Halfstack available in 1999 (only 300 were produced worldwide), this represents the first time Marshall has offered a handwired product in recent years. Like the originals, these new amps share simplicity of operation and rich, natural valve tone. This new series was created to meet growing public demand, and to pay homage to models that, for many players, represent the ultimate in organic, all-valve guitar tone. Marshall’s primary objective was to achieve maximum authenticity in terms of components, circuitry, construction methods, materials, specifications, aesthetics, signal path, performance, tonal characteristics and feel. All of the original components and materials were used or reproduced, and the original methods of construction employed in the late 1960s were revisited. All transformers - output and power - have been meticulously re-created by Dagnall Electronics, and each amplifier’s handwired tag-board lives up to the slogan, ‘Point-to-Point Perfection’.”

USD$1889.95

Marshall JCM900 4100 Dual Reverb 100 Watt Guitar Amp Head

An incredible Reissue from Marshall, the 100 Watt Marshall JCM900 4100 Dual Reverb offers dual channels operation with a 4-band EQ, and all the powerful Marshall tone that made the original a favorite with players all over. Featuring four ECC83 pre and three 5881 power tubes, this JCM 900 features Reverb and Pre-Gain controls for each channel, and a True Bypass Effects loop for players who crave the most control over their tone. Marshall JCM900 4100 Guitar Amp Head Features 100-watt Hi Gain Reissue of the popular JCM900 4100 All-tube design with ECC83 and 5881 tubes Series FX loop with true bypass operation Two 1/4 inch TS speaker outputs Birch-ply construction 2-button footswitch included

USD$1889.00

Marshall Vintage Series 1987X 50 Watt Guitar Amplifier Head

The Marshall Plexi 1987XL shares the same front and rear panel features as its 100-Watt big brother, the 1959 SLP, yet retains its own distinct personality. Sweet warm singing EL34 sounds are packed into every nook and cranny of this great tone machine. As is the case with the 1959SLP, the 1987X has fittings and hardware as true to the originals as humanly possible, thus ensuring that authentic Marshall Vintage look. The Marshall re-issue models all are faithful reproductions of the originals, which shaped the sound of the electric guitar as we know it. The main characteristic that these amps share is their simplicity of operation and superb natural valve tone. Achieving the beautifully organic and vibrant overdrive which is their trademark, can only be done in one way - crank 'em up! The result is pure, majestic tone uncluttered by unnecessary circuitry. With solos this produces a big, round, warm, sustain, full of classic character. With chord work you get a bark and percussive attack with a natural sounding break up, which allows each note to ring out in a glorious musical crunch. FX Loop Due to high demand, a sonically transparent effects loop has been added to the 1987X model. This circuitry has been designed to not color the guitar sound, so that your tone remains pure. The bypass switch gives you the option of completely removing this circuitry if desired. The effects loop level selector ensures compatibility with rack processors or floor pedals (stomp boxes).

USD$1889.00

Marshall JVM215C 50 1x12 Watt Guitar Combo Amplifier

The Marshall JVM215C Guitar Combo Amplifier delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM215C also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM215C Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 2 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4xECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch. T

USD$1849.99

Marshall DSL100 Head and MX412 Cabs 100 Watt Guitar Amp Full Stack

The Biggest and the Baddest! Pairing the Marshall DSL100 with a Full Stack of an MX412A Angled and MX412B Straight Cab provides a hardcore performing amplifier for players who want to sound Huge! The hard rockin' all-tube Marshall DSL100H Dual Super Lead Guitar Amplifier is designed for players who want their guitar to be loud and agressive in any venue. The DSL100H offers 100 watts, 2-channels and a feature set that replicates the DSL100 plus upgraded resonance control, studio-quality, digital Reverb and a rear-panel Pentode/Triode switch to drop the amp's output power to 50 watts. Marshall DSL100H Dual Super Lead Guitar Amplifier Head Features 100 Watt Head with 2 Channels (Classic Gain, Ultra Gain) Independent Volume and Gain Controls Per Channel Lead1/Lead2 Modes for Ultra Gain Channel EL34 Valve Power Stage Bass, Middle, Treble and Presence Controls Tone Shift Button Variable Resonance Control Pentode/Triode Switch 2 Custom Voiced Digital Reverb Controls (one for each channel) Footswitch Included (for channel change and reverb on/off) Speaker Outputs For 4/8/16 Ohm Speaker Cabinets The DSL100’s footswitchable Classic Gain and Ultra Channels each boast two modes - Clean/Crunch and Lead 1/Lead 2 respectively. These will take you from Plexi-style, pristine clean to Marshall JCM800 snarl, hot-rodded 2203, high gain lead and all points in-between. The flexibility of the shared 5-way EQ (Treble, Middle, Bass, Resonance and Presence) section is increased further by a Mid-Shift button - perfect for modern metal brutality. A Series FX loop on the rear panel (bypassable via an on/off switch) adds to the Marshall DSL100H head's professional flexibility, as does the Pentode (Full Power)/Triode (Half Power) switch which drops the power-amp's output to 50-Watts. It also changes the amp's tonal character as Triode mode produces a smoother, less aggressive sound. Marshall MX412 Speaker Cabinets Feature Four Celestion G12E-60 12 inch Speakers Black Covering and White Piping Marshall Logo MDF Construction

USD$1799.99

Marshall JVM210H 100 Watt Guitar Amplifier Head

The Marshall JVM210H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM210H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM210H Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 4 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch.

USD$1799.99

Marshall DSL100 Head and JCM1960A 4x12 Cab 100 Watt Guitar Amp Stack

The Marshall DSL100 Head and JCM1960A 4x12 Cab Guitar Amp Stack is a powerhouse rig capable of moving some serious air with tone that is all Marshall! The DSL100H head packs 100 watts of power from EL34 power tubes and 2 channels that can provide anything from great cleans to all out metal mayhem. The JCM1960A angled cab is loaded with four Celestion G12T-75 that has been a top choice by countless artists worldwide. Marshall DSL100 Head and JCM1960A Cab Amp Stack Features 100 Watt Head 2 Channels (Classic Gain, Ultra Gain) With Independent Volume/Gain Controls Clean/Crunch Modes for Classic Gain Channel Lead1/Lead2 Modes for Ultra Gain Channel EL34 Valve Power Stage Bass, Middle, Treble and Presence Controls Tone Shift Button Variable Resonance Control Pentode/Triode Switch 2 Custom Voiced Digital Reverb Controls (one for each channel) Footswitch Included (for channel change and reverb on/off) Speaker Outputs For 4/8/16 Ohm Speaker Cabinets

USD$1749.99

Marshall JVM210H 100 Watt Guitar Amplifier Head

The Marshall JVM210H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM210H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM210H Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 4 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch.

USD$1619.00

Marshall JVM205H 50 Watt Guitar Amplifier Head

The Marshall JVM205H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM205H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM205H Features All-valve design with hand selected valves for premium performance 5xECC83 and 2xEL34 Two totally independent, footswitchable channels - Clean/Crunch and OD Six footswitchable modes - three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch. Th

USD$1599.99

Marshall JVM210H 100 Watt Guitar Amplifier Head

The Marshall JVM210H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM210H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM210H Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 4 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch.

USD$1529.00

Marshall Mini Jubilee Guitar Amplifier Combo 20 Watts

Inspired by the acclaimed 2555X series, the 2525C 1 x 12 inch combo combines the classic Silver Jubilee preamp features and styling in a lower power, ‘mini’ design. The 20 Watt 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England. The 2525 models also share the original Jubilee Series features, as well as High/Low output switching (20 Watts to 5 Watts) and independent 4/8/16 Ohm speaker outputs. The Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Marshall 2525C Mini Jubilee Guitar Amplifier Combo Features Presence, Bass, Middle and Treble controls Output Master (pull channel) Lead Master Input Gain (pull rhythm clip) 20W/5W Power Output Switch 2 x EL34 and 3 x ECC83 Valves Celestion G12M-25 Greenback speaker (combo only) 4/8/16 Ohm speaker outputs FX Loop DI Output Footswitch Included Made in the UK

USD$1499.99

Marshall 1960AHW Handwired 120 Watt 4x12 Angled Guitar Speaker Cab

The Marshall 1960AHW Hand Wired Guitar Cabinet lets you complete your vintage stack with style! The 1960AHW and 1960BHW Cabinets match the 1959HW heads perfectly. Both are 120 Watt, 16 Ohm mono 4x12 inch cabinets featuring salt-n-pepper grille cloth, metal handles, and loaded with the bass version of Celestion's reissue of the G12H30 speaker. The A has an angled face and the B has a straight front. The timeless tone of vintage handwired, all-tube Marshall amplifiers have made them highly desirable to collectors and sonic connoisseurs alike. Due to overwhelming public demand, Marshall is proud to introduce meticulous, handwired re-issues of three of their most sought-after amplifiers as the first products in our brand new Handwired Series – a Series that celebrates the company’s rich tonal heritage and revisits the handcrafted traditions and skills that first launched the Marshall legend.

USD$1499.99

Marshall JVM215C 50 1x12 Watt Guitar Combo Amplifier

The Marshall JVM215C Guitar Combo Amplifier delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM215C also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM215C Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 2 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4xECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch. T

USD$1499.00

Marshall JVM205H 50 Watt Guitar Amplifier Head

The Marshall JVM205H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM205H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM205H Features All-valve design with hand selected valves for premium performance 5xECC83 and 2xEL34 Two totally independent, footswitchable channels - Clean/Crunch and OD Six footswitchable modes - three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch. Th

USD$1439.00

Marshall JVM205H 50 Watt Guitar Amplifier Head

The Marshall JVM205H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM205H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM205H Features All-valve design with hand selected valves for premium performance 5xECC83 and 2xEL34 Two totally independent, footswitchable channels - Clean/Crunch and OD Six footswitchable modes - three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch. Th

USD$1359.00

Marshall DSL100 Head and MX412B Cab 100 Watt Guitar Amp Half Stack

The Marshall DSL100 Half Stack with MX412B Straight Cab offers hard rockin' amplification for players who want their guitar to be loud and agressive in any venue. The all-tube Marshall DSL100H Dual Super Lead Guitar Amplifier Head offers 100 watts, 2-channels and a feature set that replicates the DSL100 plus upgraded resonance control, studio-quality, digital Reverb and a rear-panel Pentode/Triode switch to drop the amp's output power to 50 watts. Marshall DSL100H Dual Super Lead Guitar Amplifier Head Features 100 Watt Head with 2 Channels (Classic Gain, Ultra Gain) Independent Volume and Gain Controls Per Channel Lead1/Lead2 Modes for Ultra Gain Channel EL34 Valve Power Stage Bass, Middle, Treble and Presence Controls Tone Shift Button Variable Resonance Control Pentode/Triode Switch 2 Custom Voiced Digital Reverb Controls (one for each channel) Footswitch Included (for channel change and reverb on/off) Speaker Outputs For 4/8/16 Ohm Speaker Cabinets The DSL100’s footswitchable Classic Gain and Ultra Channels each boast two modes - Clean/Crunch and Lead 1/Lead 2 respectively. These will take you from Plexi-style, pristine clean to Marshall JCM800 snarl, hot-rodded 2203, high gain lead and all points in-between. The flexibility of the shared 5-way EQ (Treble, Middle, Bass, Resonance and Presence) section is increased further by a Mid-Shift button - perfect for modern metal brutality. A Series FX loop on the rear panel (bypassable via an on/off switch) adds to the Marshall DSL100H head's professional flexibility, as does the Pentode (Full Power)/Triode (Half Power) switch which drops the power-amp's output to 50-Watts. It also changes the amp's tonal character as Triode mode produces a smoother, less aggressive sound. Marshall MX412B Speaker Cabinet Features Four Celestion G12E-60 12 inch Speakers Black Covering and White Piping Marshall Logo MDF Construction Casters are sold separately

USD$1299.99

Marshall DSL100 Head and MX412A Cab 100 Watt Guitar Amp Half Stack

This Marshall Half Stack with DSL100 Head and MX412A Angled Cab is a powerful amp for players who want their guitar to resonate throughout the room. The all-tube Marshall DSL100H Dual Super Lead Guitar Amplifier Head offers 100 watts, 2-channels and a feature set that replicates the DSL100 plus upgraded resonance control, studio-quality, digital Reverb and a rear-panel Pentode/Triode switch to drop the amp's output power to 50 watts. Marshall DSL100H Dual Super Lead Guitar Amplifier Head Features 100 Watt Head with 2 Channels (Classic Gain, Ultra Gain) Independent Volume and Gain Controls Per Channel Lead1/Lead2 Modes for Ultra Gain Channel EL34 Valve Power Stage Bass, Middle, Treble and Presence Controls Tone Shift Button Variable Resonance Control Pentode/Triode Switch 2 Custom Voiced Digital Reverb Controls (one for each channel) Footswitch Included (for channel change and reverb on/off) Speaker Outputs For 4/8/16 Ohm Speaker Cabinets The DSL100’s footswitchable Classic Gain and Ultra Channels each boast two modes - Clean/Crunch and Lead 1/Lead 2 respectively. These will take you from Plexi-style, pristine clean to Marshall JCM800 snarl, hot-rodded 2203, high gain lead and all points in-between. The flexibility of the shared 5-way EQ (Treble, Middle, Bass, Resonance and Presence) section is increased further by a Mid-Shift button - perfect for modern metal brutality. A Series FX loop on the rear panel (bypassable via an on/off switch) adds to the Marshall DSL100H head's professional flexibility, as does the Pentode (Full Power)/Triode (Half Power) switch which drops the power-amp's output to 50-Watts. It also changes the amp's tonal character as Triode mode produces a smoother, less aggressive sound. Marshall MX412A Speaker Cabinet Features Four Celestion G12E-60 12 inch Speakers Black Covering and White Piping Marshall Logo MDF Construction

USD$1299.99

Marshall JCM1960AX 100 Watt 4x12 Angled Guitar Speaker Cabinet

Tonally, the 1960AX (loaded with Celestion 25 watt "Greenbacks") falls somewhere between the 1960A's brightness and the 1960AV's warmth. Greenbacks have a very distinctive sound with a fast, snappy response that adds detail and dynamics to both clean and distorted playing. The speakers’ lower headroom causes the sound to break up gently; it is this saturation that gives the 1960AX its excellent tonal characteristics, adding depth to overdrive, especially at higher volumes. The chequered ‘70s grill cloth gives the 1960AX a cool retro look. As Marshall invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation. Heavy-duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking. No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all eight cabinet corners. The highest quality woodwork includes the corner locking of each and every joint. This helps give Marshall cabinets the incredible strength and durability, which has become as legendary as the Marshall sound itself. Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.

USD$1299.99

Marshall Mini Jubilee Guitar Amplifier Head 20 Watts

Inspired by the acclaimed 2555X series, the 2525H ‘small box’ head combine the classic Silver Jubilee preamp features and styling in a lower power, ‘mini’ design. The 20 Watt 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England. The 2525 models also share the original Jubilee Series features, as well as High/Low output switching (20 Watts to 5 Watts) and independent 4/8/16 Ohm speaker outputs. The Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Marshall 2525H Mini Jubilee Guitar Amp Head Features Presence, Bass, Middle and Treble controls Output Master (pull channel) Lead Master Input Gain (pull rhythm clip) 20W/5W Power Output Switch 2 x EL34 and 3 x ECC83 Valves 4/8/16 Ohm speaker outputs FX Loop DI Output Footswitch Included Made in the UK

USD$1299.95

Marshall JVM210H 100 Watt Guitar Amplifier Head

The Marshall JVM210H Guitar Amplifier Head delivers a comprehensive range of tones built upon Marshall's peerless EL34 design. This built-in England amplifier provides multiple all-valve voicings that are accessible from the front-panel switches, MIDI or via the revolutionary technology of the supplied footswitch. The JVM210H also features a studio quality digital reverb, two effects loops, silent recording capability, and two master volumes giving you a vast array of footswitchable tones. Marshall JVM210H Features All-valve design with hand selected valves for premium performance 5 x ECC83 and 4 x EL34 Two totally independent, footswitchable channels, Clean/Crunch and OD Six footswitchable modes, three per channel Two footswitchable Master Volumes Studio quality, footswitchable Digital Reverb Reverb controls for each channel Two FX Loops, one footswitchable Critically-acclaimed Speaker Emulated DI (XLR) Silent Recording capability Revolutionary 4-way footswitch with memory Seamless switching Five footswitch LEDs allow instant visualisation Built-in switch memory for each of the six modes MIDI programmable control for all switches Built in England Outstanding Tone The JVM Series uses a carefully designed, 4 x ECC83 pre-amp stage to generate the desired amount of gain, from the cleanest, yet complex, clean imaginable to a vast palette of overdrives that range from sophisticated and subtle to explosive and extreme. Boasting a truly amazing array of instantly switchable sounds, overflowing with harmonically rich tones and responsive fluidity, every JVM mode exudes that unmistakable Marshall sound and expands on it, effectively offering multiple Marshalls in one easy-to-use package. Ultimate Flexibility Each totally independent JVM channel offers three footswitchable modes which progressively add gain while offering a complimentary tonal topology, making the JVM the perfect amplifier for any situation. The JVM’s layout is simple and uncompromising with dedicated Gain, 3-band EQ, Volume and Reverb for each channel. The Master section, featuring Dual Master Volumes, Resonance and Presence, finishes the concise layout, making each JVM a familiar old friend that’s intuitive to use. Even with its programmability, multiple channels and modes plus switchable Reverb, FX Loop and Master Volume, each JVM is incredibly easy to navigate and understand. Seamless, Silent Switching The onboard logic ensures swift silent-switching and remembers the position of each front panel switch in every mode: Reverb (on/off), FX Loop (on/off) and Master Volume (1 or 2). When returning to any mode, switch settings will be exactly as you left them, even after you’ve powered the amp down. This groundbreaking technology combined with revolutionary footswitch technology, plus MIDI switching capabilities, add even further to the JVM’s already incredible flexibility. Ultimate Control and Connectivity Every JVM is supplied with a fully programmable footswitch.

USD$1299.00

Marshall JCM1960AV 280 Watt 4x12 Angled Guitar Speaker Cabinet

The Marshall 1960AV is loaded with 70W, 12-inch Vintage 30 Celestion speakers. This cabinet has a thicker, warmer sound than the 1960A with a fat, well-defined midrange and a more rounded high end that sparkles nicely while not being overly bright. It also has a good low end chunk which never gets boomy. Some have called the Vintage 30's bass kick tuneful. Although the low end of the 75 Watt Celestion used in 1960As and Bs is more in your face (or should I say, chest?!) than the Vintage 30, it might interest you to know that the latter is the first choice of modern metal crunch masters such as James Hetfield (Metallica), Dave Mustaine (Megadeth) and Dino Cazares (Fear Factory)...all of whom use 1960BV cabs. After the initial success of the Marshall 4x12, it wasn't too long before Marshall designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only six were ever made. As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack on the other hand has stayed in production ever since and has gone on to become the most recognisable rock 'n' roll icon. As they literally invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation. Stereo and Speaker Options To ensure the ultimate in flexibility, four of the standard 4x12's are switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side]. These are the 1960A/B and 1960AV/BV. All of the stereo/mono 4x12's are perfect for use with stereo rack systems. Heavy duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking. No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all eight cabinet corners. Marshall's highest quality woodwork includes the 'corner locking' of each and every joint. This helps give Marshall cabinets the incredible strength and durability which has become as legendary as the Marshall sound itself. Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.

USD$1249.99

Marshall 1960AHW Handwired 120 Watt 4x12 Angled Guitar Speaker Cab

The Marshall 1960AHW Hand Wired Guitar Cabinet lets you complete your vintage stack with style! The 1960AHW and 1960BHW Cabinets match the 1959HW heads perfectly. Both are 120 Watt, 16 Ohm mono 4x12 inch cabinets featuring salt-n-pepper grille cloth, metal handles, and loaded with the bass version of Celestion's reissue of the G12H30 speaker. The A has an angled face and the B has a straight front. The timeless tone of vintage handwired, all-tube Marshall amplifiers have made them highly desirable to collectors and sonic connoisseurs alike. Due to overwhelming public demand, Marshall is proud to introduce meticulous, handwired re-issues of three of their most sought-after amplifiers as the first products in our brand new Handwired Series – a Series that celebrates the company’s rich tonal heritage and revisits the handcrafted traditions and skills that first launched the Marshall legend.

USD$1169.00

Marshall Mini Jubilee Guitar Amplifier Head 20 Watts

Inspired by the acclaimed 2555X series, the 2525H ‘small box’ head combine the classic Silver Jubilee preamp features and styling in a lower power, ‘mini’ design. The 20 Watt 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England. The 2525 models also share the original Jubilee Series features, as well as High/Low output switching (20 Watts to 5 Watts) and independent 4/8/16 Ohm speaker outputs. The Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Marshall 2525H Mini Jubilee Guitar Amp Head Features Presence, Bass, Middle and Treble controls Output Master (pull channel) Lead Master Input Gain (pull rhythm clip) 20W/5W Power Output Switch 2 x EL34 and 3 x ECC83 Valves 4/8/16 Ohm speaker outputs FX Loop DI Output Footswitch Included Made in the UK

USD$1169.00

ESP LTD EC256 Lemon Drop with Marshall DSL 40W Combo

The EC-256FM is the perfect evidence that a great guitar doesn't have to be prohibitively expensive. A classic shape that's excellent for all musical styles and genres, the EC-256FM offers features that you normally associate with high-end guitars, like a flamed maple top, binding on the body, neck, and headstock, and set-neck construction for fast and easy access to the highest frets. The EC-256FM also features a mahogany body, a comfortable three-piece thin U-shaped mahogany neck, a rosewood fingerboard with inlays and 22 extra-jumbo frets, and great-sounding ESP Designed LH-150 pickups. ESP LTD EC256FM Electric Guitar Features Mahogany body Comfortable three-piece thin U-shaped mahogany neck Rosewood fingerboard ESP Designed LH-150 pickups Marshall DSL40C Combo Amplifier The Marshall DSL40C Dual Super Lead Guitar Combo Amplifier is a mid-sized amp that is designed to be your go-to workhorse amp and can handle virtually any gig or studio work! 40-watts are provided by 2 x EL34 power tubes and run through a 12 inch Celestion Seventy 80 speaker for an incredible tone with great clarity and power. The Triode (Half Power) option drops the Marshall DSL40C's output to 20-watts. Marshall DSL40C Dual Super Lead Guitar Combo Amplifier Features 2 Channels (Classic Gain, Ultra Gain) With Independent Volume/Gain Controls Clean/Crunch Modes for Classic Gain Channel Two Modes per channel for extra flexibility Lead1/Lead2 Modes for Ultra Gain Channel All tube design with 2xEL34 and 4xECC83 tubes Bass, Middle, Treble and Presence controls Tone Shift button for increased versatility Variable Resonance Control Bypassable series FX loop Pentode/Triode Switch to drop power down from 40 watts to 20 watts Footswitchable, studio-quality digital reverb with level control for each channel 12 inch Custom Voiced Celestion 70/80 Speaker Footswitch Included (for channel change and reverb on/off) When the JCM2000 Dual Super Lead (DSL) series of amps was introduced in 1997, they were received with open arms and glowing compliments by the guitar loving public and press alike. In fact one of the biggest American guitar magazines described the DSL100 as possibly ‘the best Marshall ever. It combines the best tonal qualities and features of both modern and vintage Marshall amps in one package.’ After an extremely successful and long life, the JCM2000 series was replaced by the JVM series in 2007, which has also gone onto great success and critical acclaim. That said, there's still a great deal of respect and demand for Dual Super Leads, with one of the UK's most popular guitar magazines recently referring to the DSL100 as ‘the go-to rock amp.’

USD$1128.99

Marshall Mini Jubilee Guitar Amplifier Head 20 Watts

Inspired by the acclaimed 2555X series, the 2525H ‘small box’ head combine the classic Silver Jubilee preamp features and styling in a lower power, ‘mini’ design. The 20 Watt 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England. The 2525 models also share the original Jubilee Series features, as well as High/Low output switching (20 Watts to 5 Watts) and independent 4/8/16 Ohm speaker outputs. The Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Marshall 2525H Mini Jubilee Guitar Amp Head Features Presence, Bass, Middle and Treble controls Output Master (pull channel) Lead Master Input Gain (pull rhythm clip) 20W/5W Power Output Switch 2 x EL34 and 3 x ECC83 Valves 4/8/16 Ohm speaker outputs FX Loop DI Output Footswitch Included Made in the UK

USD$1099.00

Marshall Mini Jubilee Guitar Amplifier Combo 20 Watts

Inspired by the acclaimed 2555X series, the 2525C 1 x 12 inch combo combines the classic Silver Jubilee preamp features and styling in a lower power, ‘mini’ design. The 20 Watt 2525 Mini Jubilee is expertly crafted and is designed, engineered and constructed to the highest possible standards at the Marshall factory in Bletchley, England. The 2525 models also share the original Jubilee Series features, as well as High/Low output switching (20 Watts to 5 Watts) and independent 4/8/16 Ohm speaker outputs. The Silver Jubilee Series was produced in 1987 to celebrate 25 years of Marshall Amplification and 50 years of Jim Marshall being in the music business. Marshall 2525C Mini Jubilee Guitar Amplifier Combo Features Presence, Bass, Middle and Treble controls Output Master (pull channel) Lead Master Input Gain (pull rhythm clip) 20W/5W Power Output Switch 2 x EL34 and 3 x ECC83 Valves Celestion G12M-25 Greenback speaker (combo only) 4/8/16 Ohm speaker outputs FX Loop DI Output Footswitch Included Made in the UK

USD$1039.00

Marshall JCM1960A 300 Watt 4x12 Guitar Speaker Cabinet

Marshall Speaker Cabinets The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed the business! Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Marshall's highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings. The Marshall Stack If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then Marshall has made many thousands, which have appeared on stages both large and small all over the world. After the initial success of the Marshall 4x12, it wasn't too long before Marshall designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only six were ever made. As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack on the other hand has stayed in production ever since and has gone on to become the most recognisable rock 'n' roll icon. As they literally invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation. Stereo and Speaker Options To ensure the ultimate in flexibility, four of the standard 4x12's are switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side]. These are the 1960A/B and 1960AV/BV. All of the stereo/mono 4x12's are perfect for use with stereo rack systems. Heavy duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking. No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all eight cabinet corners. Marshall's highest quality woodwork includes the corner locking of each and every joint. This helps give Marshall cabinets the incredible strength and durability which has become as legendary as the Marshall sound itself. Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet

USD$949.99

Marshall JCM1960B 300 Watt 4x12 Straight Guitar Speaker Cabinet

Marshall Speaker Cabinets The only choice for serious musicians. Nothing compares to Marshall cabinets in terms of awesome tone and projection. Both visually and aurally, Marshall 4x12 cabs are indeed 'the business!' Great sound and looks however are not everything. Many years of experience mean that Marshall's speaker cabinets are also built to stand the test of time. Their highly skilled craftsmen construct them from the finest quality materials with precision corner locked joints, tough cotton backed PVC covering, heavy duty hardware and the highest quality fittings. The Marshall Stack If one thing personifies the image of rock 'n' roll more than anything else it's the Marshall 4x12. Though often imitated, nothing compares with the original. The first 4x12 cab was designed and built by Jim Marshall in 1962. Since then Marshall has made many thousands, which have appeared on stages both large and small all over the world. After the initial success of the Marshall 4x12, it wasn't too long before they designed and built the first stack, where an angled cabinet sits on top of a straight fronted cab, with the amplifier placed on top. This came about after discussions with Pete Townshend of The Who. Pete and Jim Marshall sat down and discussed The Who's requirements for an 8x12 cab with an angled top. This was designed and built, but due to this awesome cab being somewhat cumbersome, only six were ever made. As a result, Marshall came up with the more practical idea of stacking an angled cab on top of a straight fronted model. Thus the famous Marshall stack was born. What happened to the six 8x12 cabs do we hear you ask? Well, two went to Pete Townshend, two went to John Entwhistle and the remaining two went to the Small Faces. The Marshall stack on the other hand has stayed in production ever since and has gone on to become the most recognisable rock 'n' roll icon. As they invented the stack, Marshall 4x12's are the only true originals. Everything else is merely an imitation. Stereo and Speaker Options To ensure the ultimate in flexibility, four of Marshall's standard 4x12's are switchable from mono [4 or 16 Ohms] to stereo [8 Ohms per side]. These are the 1960A/B and 1960AV/BV. Heavy duty castors are fitted as standard to all Marshall full size 4x12's to ensure that these cabinets are ready to roll without rocking. No sharp metal edges or rough fittings - the smooth ABS plastic Marshall corner fits perfectly and offers excellent protection to all eight cabinet corners. Marshall's highest quality woodwork includes the 'corner locking' of each and every joint. This helps give Marshall cabinets the incredible strength and durability which has become as legendary as the Marshall sound itself. Heavy-duty Grab Handles are fitted to all Marshall cabinets. Their tough, ergonomic recessed casing design gives easy access to the bar of the handle without affecting the cabinet's smooth lines.

USD$949.99

Marshall DSL100H Dual Super Lead 100 Watt Guitar Amplifier Head

The all-tube Marshall DSL100H Dual Super Lead Guitar Amplifier Head is a twin-channel monster with the same exact tube compliment and feature set as the iconic Marshall DSL100, with a few upgrades. A Resonance control as opposed to the original's fixed Deep switch gives total control of exactly how much low-end girth you want to add. Studio-quality, digital Reverb instead of spring. Lastly, a rear-panel Pentode/Triode switch has been added to drop the amp's output power to 50-Watts. Marshall DSL100H Dual Super Lead Guitar Amplifier Head Features 100 Watt Head 2 Channels (Classic Gain, Ultra Gain) With Independent Volume/Gain Controls Clean/Crunch Modes for Classic Gain Channel Lead1/Lead2 Modes for Ultra Gain Channel EL34 Valve Power Stage Bass, Middle, Treble and Presence Controls Tone Shift Button Variable Resonance Control Pentode/Triode Switch 2 Custom Voiced Digital Reverb Controls (one for each channel) Footswitch Included (for channel change and reverb on/off) Speaker Outputs For 4/8/16 Ohm Speaker Cabinets The DSL100’s footswitchable Classic Gain and Ultra Channels each boast two modes - Clean/Crunch and Lead 1/Lead 2 respectively. These will take you from Plexi-style, pristine clean to Marshall JCM800 snarl, hot-rodded 2203, high gain lead and all points in-between. The flexibility of the shared 5-way EQ (Treble, Middle, Bass, Resonance and Presence) section is increased further by a Mid-Shift button - perfect for modern metal brutality. A Series FX loop on the rear panel (bypassable via an on/off switch) adds to the Marshall DSL100H head's professional flexibility, as does the Pentode (Full Power)/Triode (Half Power) switch which drops the power-amp's output to 50-Watts. It also changes the amp's tonal character as Triode mode produces a smoother, less aggressive sound.

USD$899.99

Marshall 2061CX 60 Watt 2x12 Handwired Guitar Speaker Cabinet

The Marshall 2061CX guitar speaker cabinet is a compact, 60-Watt, 2x12 inch mono guitar speaker cabinet that has an angled front. It is the perfect partner for the 2061X head. The 2061CX sports Salt and Pepper (a.k.a. Grey Basket Weave) grille cloth, metal handles and two 30 Watt, Celestion G12H reissue speakers. 8 Ohms. Marshall Handwired Amplifiers and Speaker Cabinets This ongoing series will feature some of the world’s most sought after, vintage, all-tube Marshalls. Other than the limited edition Offset JTM45 Halfstack available in 1999 (only 300 were produced worldwide), this represents the first time Marshall has offered a handwired product in recent years. Like the originals, these new amps share simplicity of operation and rich, natural valve tone. This new series was created to meet growing public demand, and to pay homage to models that, for many players, represent the ultimate in organic, all-valve guitar tone. Marshall’s primary objective was to achieve maximum authenticity in terms of components, circuitry, construction methods, materials, specifications, aesthetics, signal path, performance, tonal characteristics and feel. All of the original components and materials were used or reproduced, and the original methods of construction employed in the late 1960s were revisited. All transformers - output and power - have been meticulously re-created by Dagnall Electronics, and each amplifier’s handwired tag-board lives up to the slogan, ‘Point-to-Point Perfection’.”

USD$899.99